Tisch Design for Stage & Film

721 Broadway, Fl 3rd, New York, New York 10003


Latest Updates

@Tisch Design for Stage & Film 2018-06-11

The Department of Design for Stage and Film has TWO 2018 Tony Award Winners! Christine Jones 92, Best Scenic Design of a Play for Harry Potter and the Cursed Child. Christine s acceptance speech: https://www.youtube.com/watch?v=H6-bSUKhAJQ David Zinn 91, Best Scenic Design of a Musical for SpongeBob SquarePants. David s acceptance speech: https://www.youtube.com/watch?v=3GwYusau1f0 Other Tony nominees included Design alumni: Greg Barnes 83, Best Costume Design of a Musical for Mean Girls Clint Ramos 97, Best Costume Design of a Musical for Once on this Island and David Zinn 91, Best Costume Design of a Musical for Spongebob SquarePants Congratulations to Christine, David, Greg, and Clint for all of their hard work, and their well-earned recognition at the 2018 Tony Awards!

@Tisch Design for Stage & Film 2018-05-11

Meet the Designers! Saturday, May 12th from 2-5pm Design Show 2018 Everyone is invited and welcome!

@Tisch Design for Stage & Film 2018-04-25

Tribeca Premiereerian Prirected by Faraday Okoro (NYU film student) winner of $1 million grant from At&T, the Tribeca Film Festival and the Tribeca Film Institute Feature Film production designer D Vaughn Agu, Tisch Design 17 Costume designer Ari Fulton, Tisch Design 14

@Tisch Design for Stage & Film 2018-04-23

Congratulations to Design Department faculty Constance Hoffman and Paul Steinberg! Recent awards: Golden Mask Awards, Best Music Theatre Production: Billy Budd, Bolshoi Opera in Moscow, set design by Paul Steinberg and costume design by Constance Hoffman Golden Mask Awards, Best Set Design: Billy Budd, Paul Steinberg, set designer Olivier Award for Best Opera Production in London Semiramide, Covent Garden (Paul Steinberg, set designer) 2018 International Opera Award for Designer Paul Steinberg

@Tisch Design for Stage & Film 2018-03-06

http://www.theintervalny.com/features/2018/01/female-lighting-designers-past-present-and-future/

@Tisch Design for Stage & Film 2017-09-23

Are you a prospective student in the Los Angeles area? If so, join us for an informal info session on Sunday, September 24th in Los Angeles. For further info, please email [email protected] Looking forward to meeting you!

@Tisch Design for Stage & Film 2017-09-23

Are you a prospective student in the Los Angeles area? If so, we are hosting an informal info session on Sunday, September 24th in Los Angleles. To get details and join us, please send an email to [email protected] We would love to meet you!

@Tisch Design for Stage & Film 2017-09-03

Incoming Design students on a walking tour of the east village with John Conklin.

@Tisch Design for Stage & Film 2017-05-12

Come see the work of the amazing Class of 2017. Design Show 2017. Daily 12pm - 8pm now thru May 18th. Meet the Designers on Saturday from 2-5pm. 721 Broadway (at Wavely Place), third floor.

@Tisch Design for Stage & Film 2017-05-08

Opening tomorrow! Design Show 2017 featuring the work of the graduating class of set, costume, and lighting designers for theatre and film. Free and open to the public.

@Tisch Design for Stage & Film 2017-04-11

Giving a report on a Rembrandt painting in front of the painting! Culture, Costume and Decor class at the Metropolitan Museum recently.

@Tisch Design for Stage & Film 2017-01-18

Proud to be participating in the Ghostlight Project. #GhostlightProject #BeALight #AllAreWelcome

@Tisch Design for Stage & Film 2017-01-17

Dear 3rd floor students, faculty and alumni, The Design Department has joined forces with The Ghostlight Project, and is supporting thesolidarent January 19th. We have also put our department on their list of participating Theaters and Institutions. Their mission statement and information on the event is explained below. We know that many of you will be away or in rehearsal at that time, but for those of you who are free and would like to participate, we are meeting in front of The Public Theater, which is the downtown hub. The Graduate Acting Department will be participating as well. If you have any questions let me know. Best, Andrew Lieberman https://theghostlightproject.com/ On January 19, 2017 at 5:30 p.m. in each time zone across the country, members of the theater community - from Broadway to regional theaters to high schools and colleges and community theaters - will come together to launch The Ghostlight Project. Gathering outside of theaters on the eve of the Presidential Inauguration, people will join in a collective, simultaneous action, together creating “light” for challenging times ahead. Inspired by the tradition of leavingst li in a darkened theater, artists and communities will make or renew a pledge to stand for and protect the values of inclusion, participation, and compassion for everyone--regardless of race, class, religion, country of origin, immigration status, (dis)ability, age, gender identity, or sexual orientation. January 19th is a moment of gathering within a larger resistance to intolerance at all levels. We aim to create brave spaces that will serve as lights in the coming years. We aim to activate a network of people across the country working to support vulnerable communities. This is not a substitution for protests or direct action, but rather a pledge for continued vigilance and increased advocacy. We defirave sp a space where: It is safe to be who you are, regardless of race, class, religion, country of origin, immigration status, (dis)ability, age, gender identity, or sexual orientation. Diverse opinions, dissent, and argument are not only tolerated, but invited. Active listening and courageous exchange are fundamental values. Collective action, activism, and community engagement, both within and outside the walls of the theater, are cultivated, encouraged, and supported. The event on January 19th marks the initiation for some artists and theaters, and marks another step for others with a long history of fighting for social justice and equity. As the participants all have varied backgrounds, so too is it up to each institution and individual to determine what ongoing action will best serve their institution and community. INITIATING ACTION: January 19, 2017 On January 19, 2017 at 5:30pm across time zones, we will gather in front of theaters and art spaces across the country. This collective action will signify an ongoing commitment to social justice in the coming years, taking a variety of forms and actions for individual artists and institutions.

@Tisch Design for Stage & Film 2017-01-04

FreDesieck out all the NYU alumni and faculty lauded here! (Susan Hilferty, Jason Ardizzone-West, Tilly Grimes, Oona Curley, Mimi Lien, and Bradley King) As the year draws to an end, The New York Times has published its round-up, Best Theatre of 2016, by Ben Brantley and Charles Isherwood, in which they list a series of plays that were assertive and in the year of such a divisive election: “really listen—to how we talked about race, sexuality, the demonization of others.” So who were the designers of these plays, and what did the press have to say about them? Here are a few of their picks. (Read the full article here.) For The Gabriels, Richard Nelson’s play set on election night, in which he captur elusive, expansive comic sadness we associate with his beloved Chekhov…,” the designer get a nice mention: “This is all the truer because the team of designers here—Susan Hilferty and Jason Ardizzone-West (set), Jennifer Tipton (lighting) and Scott Lehrer and Will Pickens (sound)—have made the Gabriels’ kitchen into what feels like a warm corner of never-ending security. And yet we’re abidingly aware that this house may well be demolished within the year,” says a November 9 review by Brantley. In The Crucible, brought to Broadway by acclaimed Dutch director Ivo van Hove, currently high on the hot director list, “We are made to see what the terrified residents of Salem think they see, in visions formed from a collective, paranoid fever dream. In rendering these effects, Mr. van Hove and his astonishing set and lighting designer, Jan Versweyveld, borrow freely from the imagery of horror movies,” as noted in Brantley’s March 31 review. Underground Railroad Game, in Brantley’s September 23 review, is called “A lacerating comedy on race… as directed by Taibi Magar, with an exceptionally resourceful design team, the play conjures searing theatrical visuals to match its wayward words, the sort of images that used to send people to Freudian analysts when they cropped up in nightmares.” The design team included production designer Tilly Grimes, scenic designer Steven Dufala, lighting designer Oona Curley, and sound designer Mikaal Sulaiman. Architect/scenic designer David Rockwell gets a shout out in Isherwood’s October 27 review of the revival of Falsettos:id Rockwell’s set resembles a child’s building blocks, which are manipulated by the actors. Placed against a shifting Manhattan skyscape, it’s an ingenious illustration of what we are watching: people laboring to arrange a comfortable life for themselves and their loved ones, and continually having to readjust d the Broadway transfer of Natasha, Pierre & The Great Comet Of 1812, cannot be discussed without mentioning the designs: “The cozy rapport between audience and performers has been painstakingly maintained by Ms. Chavkin and the set designer, Mimi Lien. A fair portion of the audience is seated onstage. The action takes place not just up there but also on a parquet runway that snakes through the orchestra seating, and even in the mezzanine. The walls are draped in red velvet dappled with gilt-framed paintings, giving the impression that we are all guests sharing a sumptuous drawing room. Starburst chandeliers descend and rise. (The lighting, by Bradley King, and the half-period/half-punk costumes, by Paloma Young, are terrific),” as noted in Isherwood’s November 14 review. Congratulations to all the designers of all these best picks for 2016. Keep up the good work!

@Tisch Design for Stage & Film 2016-10-10

Costume Studio class fabrication session with Andrew Marlay.

@Tisch Design for Stage & Film 2016-10-10

Second year costume designers (Costume Studio class taught by Maggie Raywood) visiting the Juilliard School wig and make-up department.

@Tisch Design for Stage & Film 2016-09-07

Congratulations Design alumni Carolyn Mraz 11 and Barbara Samuels 13!! http://theintervalny.com/features/2016/09/women-to-watch/


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About

A 3-year MFA program, chaired by Susan Hilferty, that prepares students to be professional designers of scenery, costumes, and lighting for theatre & film.


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